Giving up guilt: Strategies for average to small handed pianists

Giving up guilt: Strategies for average to small handed pianists

The piano offers a richer and more varied repertoire than any other solo instrument. We can play as many notes as our ten fingers allow, which gives us an enormous range of sounds and colors. Unfortunately not every pianist’s hand is large enough to physically 

A Thousand Images: Effective use of touch in the piano lesson

A Thousand Images: Effective use of touch in the piano lesson

Playing the piano is fine motor skill requiring a complex set of coordinations between large and small muscle groups. For most students verbal descriptions and visual demonstration are not enough to convey the complexities of physical movement and a kinesthetic experience is necessary. This is 

“A Thousand Different Sounds”: Tone Quality at the Piano

“A Thousand Different Sounds”: Tone Quality at the Piano

      The question of tone quality comes up amongst pianists regularly. It is often said that no matter what the pianist does all that matters is the speed of the hammer when it hits the strings. This is partially true from the point 

The Point of Sound or, Why an Acoustic Piano is Not Interchangeable With a Digital

The Point of Sound or, Why an Acoustic Piano is Not Interchangeable With a Digital

A question that frequently gets asked by parents and pianists alike is whether a digital piano is interchangeable with an acoustic for learning to play the piano. The answer, with rare exceptions, is no. Often it is believed that if there are 88 keys and 

“But my fourth finger is weak”- the myth of finger independence

“But my fourth finger is weak”- the myth of finger independence

  I recently had a new adult student come into my studio wanting to learn Debussy’s “Clair de Lune.” I teach the piece often and suggested an effective fingering for a passage she was struggling with. She expressed horror upon seeing it because my fingering